{"version":"1.0","provider_name":"Lafayette Magazine Spring 2016","provider_url":"https:\/\/magazine.lafayette.edu\/spring2016","author_name":"blacktma","author_url":"https:\/\/magazine.lafayette.edu\/spring2016\/author\/blacktma\/","title":"The Art of Cultural Conservation - Lafayette Magazine Spring 2016","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"SOI21WTUh7\"><a href=\"https:\/\/magazine.lafayette.edu\/spring2016\/2016\/03\/30\/the-art-of-cultural-conservation\/\">The Art of  Cultural Conservation<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/magazine.lafayette.edu\/spring2016\/2016\/03\/30\/the-art-of-cultural-conservation\/embed\/#?secret=SOI21WTUh7\" width=\"600\" height=\"338\" title=\"&#8220;The Art of  Cultural Conservation&#8221; &#8212; Lafayette Magazine Spring 2016\" data-secret=\"SOI21WTUh7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/magazine.lafayette.edu\/spring2016\/wp-content\/uploads\/sites\/19\/2016\/03\/conservation-feature.jpg","thumbnail_width":1038,"thumbnail_height":432,"description":"by Christian Millman Call her Mud Angel 2.0. Leah Firestone \u201916 wasn\u2019t among the angeli del fango, the thousands who flocked to Florence after the devastating 1966 flood to help rescue irreplaceable paintings, sculptures, and books from the raging waters of the Arno River. But half a century later, she\u2019s doing her part, demonstrating to [&hellip;]"}