{"version":"1.0","provider_name":"Lafayette Magazine Summer 2012","provider_url":"https:\/\/magazine.lafayette.edu\/summer2012","author_name":"gaula","author_url":"https:\/\/magazine.lafayette.edu\/summer2012\/author\/gaula\/","title":"Hip Social Engineer - Lafayette Magazine Summer 2012","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GfRIsPzYsg\"><a href=\"https:\/\/magazine.lafayette.edu\/summer2012\/2012\/07\/20\/hip-social-engineer\/\">Hip Social Engineer<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/magazine.lafayette.edu\/summer2012\/2012\/07\/20\/hip-social-engineer\/embed\/#?secret=GfRIsPzYsg\" width=\"600\" height=\"338\" title=\"&#8220;Hip Social Engineer&#8221; &#8212; Lafayette Magazine Summer 2012\" data-secret=\"GfRIsPzYsg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/magazine.lafayette.edu\/summer2012\/wp-content\/uploads\/sites\/8\/2012\/07\/FhipSummer2012FEATURED.jpg","thumbnail_width":960,"thumbnail_height":400,"description":"Tony Brooke \u201991 has recorded for the Doobie Brothers and Dave Chappelle and received two Grammy nominations. by Geoff Gehman \u201980 | photography by Steve Babuljak  The planets are aligned as Tony Brooke \u201991 records his first big gig. The moon is full. The date is Oct. 30, 1993, the night before Halloween. Joan Baez is headlining a benefi t for shut-ins for her charity, Bread &amp; Roses. Brooke is taping the folk activist on a new 16-track system, a top-of the-line machine that got him his first big gig.  A heady experience for Brooke, who just 10 months previously had started Silent Way, a concert recording company. Even headier is the location \u2014 a haunting, haunted hall. Baez is performing in the cafeteria of the former federal prison on Alcatraz Island in San Francisco Bay, now a tourist attraction. Brooke is based in the kitchen where meals were prepared for the likes of Al Capone and George \u201cMachine Gun\u201d Kelly. Microphone cables snake through wall slots used for serving food safely to unsafe inmates."}